DailyTimeCapsule brief
September 30, 1987
On September 30, 1987, the film festival circuit showcased two notable films: 'Barfly' and 'Bad Blood'. 'Barfly', directed by Barbet Schroeder, offered a gritty portrayal of life inspired by the experiences of writer Charles Bukowski, depicting the struggles of a down-and-out poet. Meanwhile, 'Bad Blood', a French film, garnered attention for its distinctive storytelling and was seen as a representation of the thriving French cinema at the time. The late 1980s was marked by a cultural shift in cinema, with independent films gaining more visibility amid the dominance of Hollywood blockbusters. This period also saw an increased interest in exploring darker and more complex themes in film narratives, reflective of broader societal changes, including attitudes toward personal freedom and the existential challenges individuals faced.
Key developments
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The 'Barfly' film festival celebrates the unique narratives of L.A.'s fringe community, showcasing stories that depict the struggles and resilience of down-and-outers. With a focus on original storytelling, the festival brings together captivating films that challenge conventional perspectives on life’s hardship. Attendees can expect a blend of gritty realism and artistic expression, making it a compelling event for cinema enthusiasts and storytellers alike.
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In his second feature film, 'Bad Blood,' director Leos Carax showcased his unique vision and stylistic flair at the 1987 New York Film Festival, cementing his reputation as a leading figure in contemporary French cinema. The film, set against a backdrop of youthful rebellion and existential dilemmas, features a cast of underground characters that resonate with the themes of dislocation and alienation. Carax's work draws comparisons to the iconic Jean-Luc Godard, reflecting a bold artistic lineage while also exploring his own narrative voice.
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